MultiplesĬommon to most modular setups, multiples are mix/split devices. If the two ADSRs and two LFOs are not enough, try the host-syncable Ramp Generator (essentially a trapezoid, which combines elements of both). Pick from a classic stereo chorus with four modes (including phaser) to add richness, a stereo delay with seven immediately selectable modes to add movement, and finally a pair of controls to boost treble and bass. EffectsĪdd final touches using the global effects. Use these to add organic life-like dynamics, modulation and refinments your sounds. Sound experimentation awaits, limited only by your imagination… and dinner time.Īn array of output sockets provide signals from a variety of different sources: noise, MIDI controls (modwheel, velocity etc.), mapping generator and more… Plug an LFO into a filter, then use the filter as an FM source for an oscillator. Try LFOs as audio oscillators or a VCO as LFO. Hook things up, explore new ideas and crazy combinations. Any of the outputs can be plugged into any of the signal inputs. Any default routing can be overridden by patching cables, which means that the options are practically limitless.ĪCE does not differentiate between audio signals and control signals.

ACE has a default fixed architecture (like for instance the ARP 2600), which means you can start making noise immediately ‘out-of-the-box’. Cables anywhere and everywhereĪCE takes after hardware modular synthesizers, although it is not a truly modular design, more correctly it is semi-modular. Both filters are cascade type multimode circuits with two parallel outputs each. 3 effects: chorus/phaser (4 types), delay (7 fixed options), bass and treble controlsįor an extra aggressive sound, route your signal through both filters and crank the resonance on the second filter.Circuit bending options: slop, crosstalk, oscillator cap failure.MIDI modulation and performance: wheels, velocity, pressure, key follow, gate, 2 user-definable MIDI CC.2 multiplex modules for signal mixing / crossfading, ring modulation, amplitude modulation etc.

2 LFOs with 0Hz to 20kHz frequency range (can be used as VCOs).

2 ADSR envelopes with fall/rise, snap, singing option for authentic analogue-style voice triggering.

Up to 8 voice unison (stack) with +/−2 octave individual detuning.

Powerful glide options: constant rate or constant time, percentage range control, per-oscillator offset.

Polyphonic (up to 16 voices), duophonic or monophonic (retriggered or legato).

Oscillators include pulse width modulation (PWM), sync, internal ring and cross modulation (FM).

Semi-modular architecture (with default routing).

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